Women in Horror Month
March is Women in Horror Month, and we’re celebrating with a digital collection of classic and new stories from female horror, dark fantasy, and science fiction writers. Settle in, grab a cup of tea, and get ready for a smorgasbord of horror goodness.
Interviews by Women in Horror
Mothers of the Roundtable Author Spotlight: Wailana Kalama
R. Leigh Hennig gathered many of the amazing authors from Mother: Tales of Love and Terror for a council at the roundtable about writing, mothers, and horror. Join us as we pop in for a brief spotlight on how the stories of Mother, and their makers, worked their horrible magic to create this book. Author Spotlight: Wailana Kalama, author of “Mother Trucker” Q: Thematically, what was important for you to include? A: I find myself going back to the question of what it means to be a...
Mothers of the Roundtable Author Spotlight: Steve Toase
R. Leigh Hennig gathered many of the amazing authors from Mother: Tales of Love and Terror for a council at the roundtable about writing, mothers, and horror. Join us as we pop in for a brief spotlight on how the stories of Mother, and their makers, worked their horrible magic to create this book. Author Spotlight: Steve Toase author of “720” Q: What inspired your story? A: There were a few inspirations, to be honest. The blind roadbuilder is based on a real person - Blind Jack...
Mothers of the Roundtable Author Spotlight: Nicoletta Giuseffi
R Leigh Hennig gathered many of the amazing authors from Mother: Tales of Love and Terror for a council at the roundtable about writing, mothers, and horror. Join us as we pop in for a brief spotlight on how the stories of Mother, and their makers, worked their horrible magic to create this book. Author Spotlight: Nicoletta Giuseffi, author of “Mother Made Cake” Q: Do you ever see yourself revisiting the topic or theme of your story? A: Absolutely. The sickly sweet environs of...
New Fiction by Women in Horror
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Classic Fiction by Women in Horror
To Let by Bithia Mary Kroker
Presently he startled us all by suddenly calling ‘Lucy’, in a voice that was as distinct as if it had come from a human throat, ‘Pretty Lucy–Lu–cy.’
‘That must have been the niece,’ said Aggie. ‘I expect she was the original of that picture over the chimney-piece in your room; she looks like a Lucy.’
It was a large framed half-length photograph of a very pretty girl, in a white dress, with gigantic open sleeves. The ancient parrot talked incessantly now that he had been restored to society; he whistled for the dogs, and brought them flying to his summons, to his great satisfaction and their equally great indignation. He called ‘Qui hye’ so naturally, in a lady’s shrill soprano, or a gruff male bellow, that I have no doubt our servants would have liked to have wrung his neck. He coughed and expectorated like an old gentleman, and whined like a puppy, and mewed like a cat, and I am sorry to add, sometimes swore like a trooper; but his most constant cry was, ‘Lucy, where are you, pretty Lucy–Lucy–Lu–cy?’
The Cold Embrace by Mary Elizabeth Braddon
Many months have passed since his cousin’s death—autumn, winter, early spring. His money is nearly gone, his health is utterly broken, he is the shadow of his former self, and he is getting near to Paris. He will reach that city at the time of the Carnival. To this he looks forward. In Paris, in Carnival time, he need never, surely, be alone, never feel that deadly caress; he may even recover his lost gaiety, his lost health, once more resume his profession, once more earn fame and money by his art.
Pauline’s Passion and Punishment by Louisa May Alcott
Louisa May Alcott is best known for her tale of Victorian life, Little Women. Still, she had a passion for horror and suspense, and wrote these tales of dark fiction under a plethora of pseudonyms to avoid tainting her reputation as a women’s fiction writer. Here is her most highly acclaimed suspense novella, Pauline’s Passion and Punishment.